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HITS |
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O Henry |
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Short stories collection |
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Volume 1 |
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Volume 2 |
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O. Henry mastered the art of the humorous, energetic tale that ends with a sudden, ironic twist. In “After Twenty Years,” for example, two boys agree to meet at a particular spot exactly twenty years later. Both are faithful, but in the intervening years one boy has turned into a criminal, the other into a policeman. Behind the rendezvous lurks a powerful dramatic situation with a fascinating moral dilemma—all dealt with in a few brief pages. This is just one of the many literary gems in Selected Stories of O. Henry, a collection of 45 of O. Henry’s most renowned and entertaining short stories. Each one offers insights into human nature and the ways it is affected by love, hate, wealth, poverty, gentility, disguise, and crime—themes that ran through the author’s own life. Born William Sidney Porter, O. Henry started writing while in prison for embezzlement. Later he moved to New York, and his tales romanticizing the commonplace, particularly the life of ordinary New Yorkers, became highly popular. The most widely read author of his time, O. Henry died penniless but left behind a wealth of short stories that endure as classics of the genre. |
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O. Henry was born William Sydney Porter in Greenboro, North Carolina. His father, Algernon Sidney Porter, was a physician. When William was three, his mother died, and he was raised by his parental grandmother and paternal aunt. William was an avid reader, but at the age of fifteen he left school, and then worked in a drug store and on a Texas ranch. He continued to Houston, where he had a number of jobs, including that of bank clerk. After moving in 1882 to Texas, he worked on a ranch in LaSalle County for two years. In 1887 he married Athol Estes Roach; they had one daughter and one son. "It was beautiful and simple as all truly great swindles are." (from The Octopus Marooned') In 1894 Porter started a humorous weekly The Rolling Stone. It was at this time that he began heavy drinking. When the weekly failed, he joined the Houston Post as a reporter and columnist. In 1894 cash was found to have gone missing from the First National Bank in Austin, where Porter had worked as a bank teller. When he was called back to Austin to stand trial, Porter fled to Honduras to avoid trial. Little is known about Porter's stay in Central America. It is said, that he met one Al Jennings, and rambled in South America and Mexico on the proceeds of Jenning's robbery. After hearing news that his wife was dying, he returned in 1897 to Austin. In 1897 he was convicted of embezzling money, although there has been much debate over his actual guilt. Porter entered in 1898 a penitentiary at Columbus, Ohio. While in prison, Porter started to write short stories to earn money to support his daughter Margaret. His first work, 'Whistling Dick's Christmas Stocking' (1899), appeared in McClure's Magazine. The stories of adventure in the U.S. Southwest and in Central America gained an immediately success among readers. After doing three years of the five years sentence, Porter emerged from the prison in 1901 and changed his name to O. Henry. According to some sources, he acquired the pseudonym from a warder called Orrin Henry. It also could be an abbreviation of the name of a French pharmacist, Eteinne-Ossian Henry, found in the U.S. Dispensatory, a reference work Porter used when he was in the prison pharmacy. O. Henry moved to New York City in 1902 and from December 1903 to January 1906 he wrote a story a week for the New York World, also publishing in other magazines. Henry's first collection, CABBAGES AND KINGS, appeared in 1904. The second, THE FOUR MILLION, was published two years later and included his well-known stories 'The Gift of the Magi', about a poor couple and their Christmas gifts, and 'The Furnished Room'. THE TRIMMED LAMP (1907) explored the lives of New Yorkers and included 'The Last Leaf' - the city itself Henry liked to call 'Bagdad-on the-Subway.' In this sentimental piece, about two women artists and their failed artist friend, the theme is selfishness, as in 'The Gift of the Magi', but there is also a lesbian undercurrent, which separates it from O. Henry's run-of-the-mill works. In 'One Dollar's Worth' O. Henry criticized the merciless judicial system. Judge Derwent receives a letter from an ex-convict, in which the writer, 'Rattlesnake' threatens his daughter and the district attorney, Littlefield. A young Mexican, Rafael Ortiz, is accused of passing a counterfeit silver dollar, made principally of lead. Rafael's girl, Joya Treviñas, tells Littlefield that he is innocent - she was sick, and needed medicine, and that was the reason why Rafael used the dollar. Littlefield refuses to help, and Joya says that "it the life of the girl you love is ever in danger, remember Rafael Ortiz." When he drives out of the town with Nancy Derwent, they meet Mexico Sam, the writer of the letter. He starts to shoot them from distance with his rifle. Littlefield can't hurt him with his own gun which has only tiny pellets. Then he remembers Joya's words, and manages hit Mexico Sam, who falls from his horse dead as a rattlesnake. Next morning in the court he tells: "'I shot him,' said the district attorney, 'with Exhibit A of your counterfeiting case. Lucky thing for me - and somebody else - that it was as bad money as it was! It sliced up into slugs very nicely. Say, Kil, can't you go down to the jacals and find where that Mexican girl lives? Miss Derwent wants to know.'" Henry's best known work is perhaps the much anthologized 'The Ransom of Red Chief' (see Howard Hawks and Nunnally Johnson), published in the collection Whirligigs in 1910. O. Henry's humorous, energetic style shows the influence of Mark Twain and Ambrose Bierce. The story tells about two kidnappers, who make off with the young son of a prominent man. They find out that the child is a real nuisance. In the end they agree to pay the boy's father to take him back. - "Sam," says Bill, "I suppose you'll think I'm a renegade. but I couldn't help it. I'm a grown person with masculine proclivities and habits of self-defense, but there is a time when all systems of egotism and predominance fail. The boy is gone. I sent him home. All is off. There was martyrs in old times," goes on Bill, "that suffered death rather than give up the particular graft they enjoyed. None of 'em ever was subjugated to such supernatural tortures as I have been. I tried to be faithful to our articles of depredation; but there came a limit." |
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But the author's Narrated in first as well as third person, these stories incorporate intermingled with literary, Biblical and artsy reference. O. Henry will repeatedly send one to a dictionary or encyclopedia with his liberal sprinkling of foreign words. Like the British before him, O Henry contemplates the danger of the temptations of a tropical Paradise. Will Yankees "Go native?" as so many English did before them? Of course,the real cocoanut conundrum is to choose your five favorites! |
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The Four Million |
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This anthology contains 21 tales set in New York City at the dawn of the twentieth century, plus the bonus of 4 tales set in the exotic tropics of a fictitious banana republic. O. Henry focuses his curious literary microscope on the diverse lives of various residents of this famous metropolis. Some of his protagonists can claim idle-rich status, but more represent the middle class and many the poverty-stricken milieus. Indulgent readers will discover the flavor of a century past, rub shoulders with men on the other side of the law, and commiserate with thwarted lovers--all the while expecting the trademark |
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Law and order |
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